We also OFFER Complete
UAS Aerail Drone Filming
Broadcast Complient
CAA licence PfCO number: 607
Insurance cover: £16 Million Worldwide unlimited
0 - 7kg - CAA Licensed & Approved classification
7 - 20kg - CAA Licensed & Approved classification
IDP FILM is a leading service provider to the film and television industry.
We are proud to offer Academy Award winning gyro-stabilized UAS Aerial Drone Platforms to our clients. ( in house 2 man crew )
We have years of experience working on movies, TV Series, TV commercials and corporate promotional material.
We have worked in Television & Film production since 1989:
MotoGP Formula 1 World Superbikes,
Bollywood & major TV Film companies
IDP Film are always striving to make your film project the very best;
"we never let up, because we know we only look good when you do".
We welcome the opportunity to demonstrate our capabilities and work closely with you on any project you may have, and to be part of your
winning team.
TO GET THE VERY BEST - IDP FILM has purchased the
FULL CinemaDNG & Apple PRO Res Software
We DO NOT film in just .MOV files - but TRUE 5.3K & 6K Ultra HD with CinemaDNG & Apple Pro Res
We use: CINESSD 480G x7 SSD's
Focus Handwheel 2 units
Interchangeable-lens etc.....
DJI Ronin 4D - 8K
Sensor: Super 35mm full-frame CMOS image sensor
Dynamic Range: 14+ Stops
Lenses: DL 24mm F2.8 LS ASPH
DL 35mm F2.8 LS ASPH
DL 50mm F2.8 LS ASPH
EI Range: X9-8K: EI 200-12800, Dual Native ISO 800/4000
ND: Built-in 9-stop ND filters:
Clear, 2 (0.3), 4 (0.6), 8 (0.9), 16 (1.2), 32 (1.5), 64 (1.8), 128 (2.1), 256 (2.4), 512 (2.7)
Recording Format:
Apple ProRes RAW HQ/Apple ProRes RAW
Apple ProRes 422 HQ/Apple ProRes 422
H.264 (4:2:0 10-bit)
DJI PROSSD 1TB, CFexpress 2.0 Type B, USB-C SSD
Max Control Speed (°/s)
DJI Master Wheels or DJI Force Pro:
Tilt: 360°/s Roll: 360°/s Pan: 360°/s
Ronin 4D Hand Grips:
Tilt: 120°/s Roll: 120°/s Pan: 120°/s
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DJI X7 6K ultra S-UHD
Sensor: Super 35mm full-frame CMOS image sensor
Dynamic Range: 13.7+ Stops
Aspect Ratio 17:9
Lenses: DL 16mm F2.8 LS ASPH
DL 24mm F2.8 LS ASPH
DL 35mm F2.8 LS ASPH
DL 50mm F2.8 LS ASPH
Full 6K HD
Aspect Ratio 17:9
CinemaDNG
6K: 5760×3240, 23.976p, 14-bit
6K: 5760×3240, 24/25/29.97/30p, 12-bit
5.1K: 5120×2880, 23.976/24p, 14-bit
4K Ultra HD: 3840×2160, 23.976p, 14-bit 4K Ultra HD: 3840×2160, 24/25/29.97/30/47.95/48p, 12-bit
3.7K: 3712×2088, 50/59.94, 12-bit
ProRes RAW
6K: 5760×3240, 23.976p, 14-bit
6K: 5760×3240, 24/25/29.97/30p, 12-bit
5.1K: 5120×2880, 23.976/24p, 14-bit
4K Ultra HD: 3840×2160, 47.95/48p, 12-bit
ProRes RAW HQ
6K: 5760×3240, 23.976p, 14-bit
ProRes
4K Ultra HD: 3840×2160, 23.976/24/25/29.97p, 10-bit, HQ/XQ
2.7K: 2704×1520, 47.95/50/59.94p, 10-bit, HQ
FHD:1920×1080, 47.95/50/59.94p, 10-bit, HQ/XQ
H.264
4K Ultra HD: 3840×2160, 24/25/30/48/50/59.94p
2.7K: 2720×1530, 24/25/30/48/50/59.94p
FHD: 1920×1080, 24/25/30/48/50/59.94p
HD: 1280×720, 24/25/30/48/50/59.94p
Aspect Ratio 2.44:1
CinemaDNG
5.2K: 5280×2160, 23.976p, 14-bit
5.2K: 5280×2160, 24/25/29.97/30/47.95/48p, 12-bit
ProRes
5.2K: 5280×2160, 23.976/24/25/29.97/30p, 10-bit, HQ
H.264 / H.265
4K Ultra HD: 3840×1572, 30p
flight / scene times: 18-26 mins
( we only film within VLOS ) - NOT EVLOS
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DJI X5S 5.2K S-UHD
12.8+ resolution dynamic range
with CinemaDNG - 5.2K & APPLE Pro Res - 5.2K
Full 5.2K HD ( ULTIMATE S-UHD Quality )
CinemaDNG
5.2K: 5280×2972 23.976/24/25/29.97p, up to 4.2Gbps
ProRes
5.2K: 5280×2160 23.976/24/25/29.97p, 422 HQ @1.3Gbps
H.264/H.265
4K Ultra HD: 3840×1572 23.976/24/25/29.97p @100Mbps
light / scene times: 18-26 mins
( we only film within VLOS ) - NOT EVLOS
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RED Weapon Epic Dragon - 6K ultra S-UHD - 19MP 16.5+ resolution dynamic range
APPLE Pro Res - 6K HD (ULTIMATE S-UHD Quality)
MAX DATA RATES | Up to 200 MB/s using RED MINI-MAG (480GB & 960GB) Up to 170 MB/s using RED MINI-MAG (120GB & 240GB) or REDMAG 1.8" |
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MAX FRAME RATES1 | 75 fps at 6K Full Format (6144 x 3160), 100 fps at 6K 2.4:1 (6144 x 2592) 96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160) 120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728) 150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296) 240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864) |
PLAYBACK FRAME RATES (PROJECT TIMEBASE) |
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions |
REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:11 |
4:1 REDCODE for 6K Full Format (6144 x 3160) at 24 fps 10:1 REDCODE for 6K Full Format (6144 x 3160) at 60 fps 2:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps 5:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps |
REDCODE RAW ACQUISITION FORMATS2 |
6K Full Format (6144 x 3160), 2:1, 2.4:1, 16:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x |
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We film with DJI state of the art: CINESSD 960 GB & 480GB - for full 12 bit rate capture
Other Studios cameras available but not listed on this Aerial Platform web site
We have been in the industry for a great number of years so we know what film producers require and we capture the scene within 2-3 takes - we pride ourselves in what we can deliver.
We welcome the opportunity to be part of your team.
Aerial Drone Platforms we offer the following setups